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AILEY

Synopsis

Alvin Ailey is one of the most important choreographers in the history of modern dance. In 1958, at just 27 years-old, he founded the Alvin Ailey American Dance Theater. Ailey’s vision was of Black bodies unshackled and overflowing with feeling: Confidence… sorrow... Joy… pride… beauty… possibility.

Ailey is a sensorial, archival-rich story that traces the full contours of this extraordinary artist’s biography and connects his past to our present with an intimate glimpse into the Ailey studios today, where we follow innovative hip-hop choreographer Rennie Harris as he conceives a new dance inspired by Ailey’s life.

Using never-before-heard audio interviews recorded in the last year of his life, we experience Ailey’s astonishing journey in his words, starting with the textures of his childhood in Jim Crow Texas. Raised by a single mother who struggled to provide, Ailey knew hardship, but his life was rich with culture and love. He brings us into his world of blues and gospel, juke joints and church. And he tells us about the blush of young love and the awakening of his gay identity.

Ailey’s story is one of sacrifice. Possessed by his ambitions, he dedicated himself to his company. He endured racism and homophobia; addiction and mental illness; and the burden of being an iconic African American artist. In 1989, he tragically succumbed to the AIDS epidemic.

Thirty years later, Ailey’s dream lives on. Where other modern dance companies were built to showcase their founders, Ailey saw his own as bigger than himself. Throughout his rich journey, our film interweaves Rennie Harris’ present-day rehearsal process to show the enduring power of Ailey’s vision. In Harris’ creative process, Ailey comes alive for a whole new generation: His faith in the transformative power of dance, his grand embrace, his expression of complete freedom.

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The Filmmakers

Jamila Wignot Director

Jamila Wignot is a documentary filmmaker based in New York. Her directing work includes the Peabody, Emmy and NAACP award-winning series The African-Americans: Many Rivers to Cross (PBS), hosted by Henry Louis Gates and chronicling the five hundred year history of African Americans; Town Hall (co-directed with Sierra Pettingill), a feature-length co-production with ITVS following Tea Party activists determined to unseat Barack Obama; and, for PBS’s American Experience series, the Peabody Award-winning Triangle Fire and Emmy-nominated Walt Whitman. Jamila’s producing credits include W. Kamau Bell’s Bring The Pain (A&E); Sundance award-winning director Musa Syeed's narrative feature A Stray (SXSW); Street Fighting Men, following the Black Detroiters fighting for the city they love; and The Rehnquist Revolution, the fourth episode of WNET’s series The Supreme Court, which was an IDA Best Limited Series winner.

Lauren DeFilippo Producer

Lauren DeFilippo is a documentary director and producer based in New York. Her short films—most notably Clean Hands, The Here After and Detroit Party Marching Band —have screened at numerous festivals, including Slamdance, Hot Docs and CPH:DOX, and have been featured on The New York Times Op-Docs and Eyeslicer II . Her work has been supported by institutions such as the Ford Foundation’s JustFilms, Sundance Institute and IFP Documentary Lab. Lauren co-produced the Emmy-nominated Into the Canyon for National Geographic. Her recent directorial feature debut, Red Heaven (co-directed with Katherine Gorringe), follows six people as they live for a year inside a NASA psychological experiment to simulate humanity’s first outpost on Mars. In addition to producing Ailey , Lauren is currently directing Free Money, a feature-documentary about the world’s largest universal basic income experiment now underway in rural Kenya. She holds an MFA in Documentary Film and Video from Stanford University.

Festivals & Awards

NAACP Image Awards

2022

Nominee - Outstanding Breakthrough Creative (Motion Picture)

Black Reel Awards

2022

Nominee - Outstanding Documentary

Tribeca Festival

2021

Official Selection

CPH:DOX

2021

Official Selection

Sundance Film Festival

2021

Official Selection

Reviews

Wignot layers images, video and - most important - voice-overs from Ailey to create a portrait that feels as poetic and nuanced as choreography itself.”

-The New York Times, Critic's Pick

A haunting portrait of what it means to be an artist - from the triumphs to the empty, lonely feeling that you're never as good as you're supposed to be.”

-San Francisco Chronicle

Perhaps the greatest gift of this tightly conceived and beautiful doc lies in its appreciation of the divinity of dance.”

-The Hollywood Reporter